Posted by Bonnie at
10.56pm
I've just uploaded the screencaps for Episode 3 of Boy Meets Girl. I've been meaning to do this for a few weeks now, but various things have been getting in the way. It was good to be able to sit down and work on them this weekend. There are 160 screencaps in all and I've enjoyed re-watching the series while capping.
View the full gallery
The fourth and final part will be coming shortly. I really hope you all enjoy these ones! 
1 Comment
Posted by Bonnie at
11.56am
In an effort to get people talking about Rachael and her work, I have created a dedicated section on the message board for each of Rachael's film, television, stage and radio projects. Our message board has been quiet for a while now and it would be lovely to have some new members, or for old members to start chatting again!
If you go to the Career page and choose a project from any of the four sections, it will take you to a page about that project. From there, simply click on the link which says "Discuss [this project] with others on our message board!" and it will take you to a special section on the board where you can chat about it. Before doing so, you will need to register an account but this is quick and easy to do.
There are a lot of projects which haven't been discussed at all and it would be great if everyone could share their views, good or bad!
Happy chatting!
2 Comments
Posted by Bonnie at
12.00am
Based on two novels by DH Lawrence — The Rainbow and Women In Love — which Lawrence originally intended to publish as one, William Ivory has melded the books together in line with the author's original vision as part of BBC Four's new Modern Love Season.
Women In Love charts the lives and loves of two sisters, Ursula and Gudrun Brangwen, viewed chiefly through their relationships with two friends Rupert Birkin and Gerald Crich. As the two relationships intensify the couples leave the Midlands and go abroad together, leading to conflict and tragedy.
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Posted by Bonnie at
9.14pm
I went to see A Midsummer Night's Dream yesterday, and it was an absolutely stunning production from start to finish. Kingston upon Thames itself is a lovely place. I had never been, but it has a pretty town centre with plenty of shops and pubs. We found a lovely pub, The Ram, just down from the theatre, and had lunch there. It all just felt very calm and relaxed when compared to the hustle and bustle of central London.
After lunch, we made our way to the theatre. We had opted for the "cheap seats" which aren't actually seats at all; instead, you are advised to bring a cushion, then invited to find a spot on the floor in front of the stage. I was a bit concerned about this, as I'm fidgety and also have quite dodgy joints. I was worried my legs would seize up halfway through the first act.
We arrived about half an hour before curtain up (though, technically, there was no curtain; just a low, shiny black stage with a very minimal set) and were asked "Have you brought cushions?" We replied "Yes" and were told "Go and find somewhere to sit on the floor." I thought it was incredible — a few people had already found places, and we made our way right to the front and I plonked myself down slap bang in the middle, under the central beam in the ceiling, right in front of the stage; about two feet away from where the actors would stand. I was sitting in, quite literally, the closest and most central seat in the house, with no obstructions in front of me whatsoever.
I felt like I was on a camping trip as everyone around us filtered in and set up their little spot on the floor, unpacking their little seats, which ranged from chintzy sofa cushions to brightly patterned pillows. A few of us took off our shoes and settled down, as the ushers made their way around, chatting to everyone about how wonderful the production is. I was sad to find out that the theatre itself is struggling, and the ushers clearly love it dearly and are keen to see it keep going. One particular usher was encouraging some absolute theatre luvvies sitting next to me (on the floor, of all places, and with those accents!) to come to see every future production.
The play itself was astounding and I can say, hand on heart, that Rachael Stirling and Oliver Chris were the stars of the show. They must be a very happy couple indeed. Rachael is absolutely and completely suited to Shakespeare; I can't imagine a more perfect Helena, and she spoke the verses so fluently and flawlessly. She is the sort of actress I would put in front of a class full of schoolchildren if I wanted them to understand the language of Shakespeare. She doesn't just speak the words; she puts every bit of herself into her facial expressions, her body language and her emotions. I can't even describe it. I've never seen her do Shakespeare before as I missed The Taming of the Shrew a few years ago, but it really is her comfort zone, and I couldn't agree more with John Thaxter of The Stage, who said:
Rachael Stirling in terrific form plays Helena as a drama queen, starting with her heartbreaking "How happy…", the verse aria that ends the first scene, here delivered with stunning clarity, lit by a single spotlight, an achievement that confirms her status as a star actress.
I wanted to applaud after that scene. I was in awe as I watched her, and I think the impact was tenfold as she was standing directly in front of me, centre stage and right at the edge. Absolutely incredible.
I shouldn't harp on too much about Rachael, as the other actors were wonderful, too. I can't think of a single fault at all and can see why tickets sold out so quickly. Every character, from the dancing fairies to the rude mechanicals, was perfectly cast. Apart from Oliver Chris as Bottom, who was absolutely brilliant, I was also very fond of Annabel Scholey as Hermia. After having a dessert back at The Ram following the play, we wandered back past the theatre and passed her in the street. She is rather lovely.
I would definitely recommend the "cheap seats" at the Rose to anyone who wants the best view in the house. Although I was a bit stiff and had to stretch a bit when I stood up at the internal, it really was worth it. The only thing that disappoints me is that yesterday was the last day of performances, so I can't recommend the play to everyone I know.
My favourite Rachael play yet.
3 Comments
Posted by Bonnie at
1.21pm
As I mentioned a few posts ago, Rachael has been nominated in the 2010 Laurence Oliver Awards under the Best Actress in a Supporting Role category, for her role as Rebecca in The Priory. A well-deserved nomination — she was excellent in the play!
I have just had an email notification letting me know that the 2010 Laurence Olivier Awards will be broadcast LIVE on the following website on Sunday evening, 6.30pm UK time: http://www.olivierawards.co.uk/
Just wanted to let you all know so you can watch if you're able to. If Rachael does win, I expect she'll make some sort of speech and if she doesn't, she'll be shown during the nominations I'm sure.
I'd love to watch it but unfortunately I'll be on my way back from London at that time, after seeing Rachael in A Midsummer Night's Dream tomorrow, so won't be able to. Hopefully there'll be a recording of it available afterwards. It would be great, though, if some of you could watch it live.
4 Comments
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